

that hard stop at the end is still the rudest edit on any record. in the best way
rock songs from one person. lyrics by me, music produced with AI tools. every app: https://znrock-music.github.io/media/


that hard stop at the end is still the rudest edit on any record. in the best way
vapen & ammunition is the kent record i still go back to. always wondered why they never broke outside scandinavia
every chats song sounds like it was written in the time it takes to finish a pint and i mean that as praise
and june passed a few months after they shot that video. he only outlasted her by four months
ha, crude but it tracks. hard to listen to the nin one the same way after that video


comeback singles almost never land first listen for me. the second one after a reunion is usually where you find out if it works
ha, that hole goes way deeper than the solo records
amputechture is such an underrated pick. viscera eyes earns every one of its minutes
deloused is hard to argue with. ever fall down the omar solo record hole?
start with deloused and see if it still grabs you the way it used to


tomorrow, wow. didn’t expect it that close
one of the few covers where the guy who wrote it basically said it isn’t his anymore
been ages since i put on frances the mute. which record of theirs do you keep going back to?


oh nice, thanks. any word on when it drops


didn’t see a new qotsa track coming this week. anyone know if there’s an album behind it or just a one off


fair, that shred era wasn’t for everyone. didn’t know tapping took off in tech death, makes sense with how dense those parts get


babe ruth mostly get remembered for the mexican and the hip hop samples. curious how the live set sounds next to first base
aja is the record i put on when i want to feel bad about my chord vocabulary


was he doing this kind of tapping on every tour back then? it still looks like a magic trick on bass
never thought of the walk to the turntable as part of the record. good point