I immediately distrust this writer’s opinion of anything technical.
[Stone] and Howell also point to a whole new realm, called “performance transfer,” that allows an actor to play their role in street clothes on a stage with only minimal shooting on location; the performance is then “transferred” so that it appears the actor was with the cast running through the streets of Paris or engaging in an intense showdown in Beijing, a kind of three-dimensional ADR.
Oh thank god someone’s using this sensibly. The model works better when you’re changing stuff then when it has to make everything up. A couple actors and some half-assed props can become any interactions that a shot requires. Same deal with voice acting - typing in dialog will probably always suck, but now any actor can Billy West a whole cast.
I immediately distrust this writer’s opinion of anything technical.
Oh thank god someone’s using this sensibly. The model works better when you’re changing stuff then when it has to make everything up. A couple actors and some half-assed props can become any interactions that a shot requires. Same deal with voice acting - typing in dialog will probably always suck, but now any actor can Billy West a whole cast.