Joined the Mayqueeze.

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Joined 3 years ago
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Cake day: June 12th, 2023

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  • The devil is in the details. You have to define homelessness first. Would a ban on that even be legal? And what is the state doing to prevent it and/or what are the penalties for violators? There is certainly a chance that this inches painfully close to keeping people concentrated, in a camp, which should, in a sane world, weigh heavily against such a ban. But if a ban meant anybody on the street gets put in an apartment, given medical care including therapy, and then given a chance to become a productive member of society within their means, then it wouldn’t be imprisonment. That’s the Finnish solution to the problem, which benefits from having a smaller population in the country overall and a smaller percentage of homeless people than, say, Los Angeles.







  • Strange New Worlds is en exercise of writers writing themselves into exceedingly narrow corners if in the end they want to connect to TOS. They had a descendant of Khan on the crew, half the crew dated her, yet none of that comes up when they meet the actual Khan. I wonder how they will connect that story point.

    During the wedding episode, nobody sees Trelane as Trelane. They see other people he inhabits. In the daily soap ep, only Pike sees him, and he isn’t around later. So they kind of got that right, I think.

    The first coherent space opera was Babylon 5 where one creative mind oversaw everything and in the end wrote all the scripts. The reboot Galactica is another example. You could tell The Expanse was all made up by these two guys. I’m sure I’m forgetting something, a Stargate possibly. But Trek and also Doctor Who all change with their changing writers and over the decades. There are periods where certain people are in charge and there is stability in story and focus. But then their tenure ends and somebody else comes in. And if it all made sense and everybody loved it the same way we’d have nothing to bitch about.




  • As I said before: I don’t want to be the guy who defends PIC … Jurati being justifiably imprisoned or at least institutionalised may have also spared us S2. Who am I to argue with that?

    I’m thinking of Quark who burgled, sabotaged, schemed, snuggled, bought more than one child from the GQuad, and engaged in weapons trade and remained for the most part a comedic diversion character 7 series long. No consequences and maybe the thinnest veneer of looking at any of his decisions from an ethical POV. That’s another reason why I don’t perceive the difference you describe.

    We could probably go back and forth a couple of more times here but maybe we leave it at that? Just tell me in no more than a paragraph: Tuvix. Janeway yay or Janeway nay? I’m just curious.


  • I hear you. You think crossing the line mattered in 80s+ Trek but it doesn’t now. I don’t think that’s true. Sisko poisoning a planet is one of the examples where it clearly didn’t. But should have. So nostalgia is the only thing I could come up with to explain why you like the older and dislike the new stuff.

    I don’t want to be in a position where I have to defend Picard, the show. Half of S1 is okay and then it goes off the rails. There are moments in it that are good. Overall, it’s a mess. One aspect that they did well is that they show a hero aging. Kurt Corbain will always be an icon because he ended his life early. So we were spared his ideas on COVID, Q Anon, or pick another hot button issue later in life or albums continually deteriorating in quality. With Picard they wanted to show consequences and chisel away at the icon a bit. The trauma of being borgified. His being sidelined for his unwillingness to bend to his superiors’ will. Why they had to bring his parents into it will be the writers’ secret. But they show consequences of lines being crossed. One of them is him standing rightly on his professional principles. It sounds to me this is exactly the stuff you’re missing and they built the whole S1 premise on it.

    Burnham getting to be captain is about as realistic as chubby Kirk being demoted back to Captain.


  • On a slightly unrelated note:

    What’s up with double-spacing every sentence?

    It’s really

    annoying to read

    if you ask me.

    I think you are partially trapped in nostalgia. Star Trek has never been this philosophically pure. Picard broke the Prime Directive in S1 by having contact with the Edo. And then regrettably prevented them from executing Wesley for trespassing a flower bed. Either should’ve cost him his command.

    When Data has an inappropriate chat with a girl on a dying planet, JLP jokes with Riker about the level the shit is up to for them. And there are no palpable consequences for any of this behaviour.

    Picard doesn’t feel like he should plant the Borg bug in Hugh. Admiral Valarian Canapés wholeheartedly disagrees. And while I like Picard’s reasoning, from a ten thousand foot perspective I agree with her. With the benefit of hindsight, it would have prevented the best TNG movie from existing but perhaps we would have also been spared Picard S2-3.

    Late TNG and early DS9 with the introduction of Starfleet Al Qaeda, i.e. the Marquis, is a turning point for me. We get more stories that are more grey. Star Trek went from Kirk coming to a planet, telling the inhabitants their culture was stupid, to more contemporarily thoughtful treatments of ethical and moral conundrums in a utopian world, to seeing where utopia rubs up against the rest of the galaxy that isn’t there yet. Starfleet and the Federation are no longer exclusively the good guys. Sisko poisons an atmosphere just to catch one traitor and gets away with it. WTF?

    Janeway gets a pass from me for most of her bad decisions because she tried and had to figure stuff out by herself. Tuvix be damned!

    Enterprise also exists.

    Third wave Trek is more grey than Marquis era Trek. It’s more CGI and action oriented because they can. That saves a couple of pages of dialogue otherwise spent on ethics. It’s different just like TNG was different from TOS. But it isn’t a radical change if you ask me.

    Early TNG isn’t great until they stabilised the writers room. And then there is a continuation of development through DS9 and even into ENT. (Unfortunately including grade A assholes.) “Chaos on the bridge” is the default for Disco and Picard. And that’s why they often tell weird stories that don’t match up with what came before. They try to do Trek in the now passé golden age of television. And failed a lot imo.

    Of all the third wave Trek, I’m most fond of Lower Decks. Because it doesn’t take itself too seriously and is littered with easter eggs. Disco S2 is good. Most of SNW S1-3. Picard had moments in it but that’s it. My heart’s not in it any more. I watch it because I see we are entering another content drought. I even enjoy SNW S4, not because I think it’s good Star Trek but because it’s a middle finger to Paramount for no longer financing any new projects.



  • The “I find it fucking disgusting, bro!” fraction probably isn’t here. Or if they are, they are probably smart enough not to walk into this wood chipper.

    There is a strong correlation between shame people feel for having tried it before or for not being able to admit to themselves that they feel this way and then how loud they get. Pair that with religiosity or just a very conservative environment and upbringing and you get the aforementioned bros. It’s more about how they feel, how insecure they are, than about anything physically off-putting. And as somebody who once reacted poorly to being hit on by a lovely Aussie, I think it’s also the somewhat unexpected element of it. We are pattern recognisers. Heterosexual is the majority. We can easily get freaked out by something that’s different. And a lot of the LGBTQ+ folks are still not living their romance in public (if there is some and they also want to) because they avoid wood chippers society has an unfortunately abundant supply of for them.