muddi [he/him]

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Joined 5 years ago
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Cake day: July 29th, 2020

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  • They already have anti-China shit in the original show. The part with the Dai Li conspiracy and brainwashing.

    Actually even before that, the Air nation being 100% based on Western exoticism of Tibet, which apparently means racially predisposed to being peaceful spiritual nomads (who live in one of several settled places nonetheless for some reason) and get genocided because their reincarnation prophecy challenges political goals of empire.

    IIRC in some interview the show creators even pull out the line “hate the political party, not the people” when the topic came up


  • muddi [he/him]@hexbear.nettomemes@hexbear.netjust don't, ok?
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    2 years ago

    Phrases like “American Dream” and “Manifest Destiny” are just euphemisms for genocide and exploitation.

    No other country has concepts like this. They have stuff like mottos and national ideals, but the people have existed long enough in the land to be their own motivation to exist as a nation. The US was created in order to commit genocide and exploit the land. They justify nationhood and citizenship after the fact.

    I think it’s just the Anglo colonies that qualify for this, since European colonies “allowed” indigenous people to persist in some manner. Even then, there’s no eg. Canadian or Australian dream that I’ve heard of. So it’s just American being exceptional, exceptionally genocidal and exploitative.





  • This is why I believe storytelling should include real world politics and be very explicit about it. Fuck escapism, embrace (good) propaganda

    Meanwhile you have gamers rising up over the slightest apparent deviation from the norm, and Tolkien fans rising up about applicability not allegory

    Though idk, despite the explicitness Star War fans also dig the fash vibes of the empire. I remember seeing a comment on the trailer for the Ahsoka show when they dropped the phrase “heir to the empire” or something and people said they actually felt chills wtf






  • muddi [he/him]@hexbear.nettoMovies & TV@hexbear.netHell
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    2 years ago

    I know that Wheel of Time was handed over by Robert Jordan to Brandon Sanderson, because he was dying. It can be very jarring to suddenly see a change in writing style.

    Maybe that’s how historians of literature feel when they detect forgeries or misattributions.

    I think maybe it would make more sense to have authors write individual stories and contribute to a shared setting. Not like spin-offs and fandoms, but like open source contribution I guess.


  • muddi [he/him]@hexbear.nettomemes@hexbear.netLOTR names
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    2 years ago

    To be fair this is what most of fantasy does, even back when it was mythology…for example “-mor-” names, probably referring to French or Latin for “death:” Mordred, Mordor, Morgorth, Moria, some others from other franchises I can’t remember

    If it was English instead of Latin roots, yeah, this is what it would sound like


  • I know this is like modern filmmaking phenomena but I wonder how much is related to Western culture, always living in the ruins and shadows of the East.

    For example, Roman and Greek architecture and art is always portrayed as plain white marble structures (think Washington DC), even though they were actually very colorful. Similar thing happens with ancient Middle Eastern structures, portrayals and conceptions as collosal but plain, ruined structures (cf. Ozymandias, new Dune adaptions, the Ahsoka show now), even though there was once very rich culture around them.

    In India, there are very old, now plain-looking temples, and new ones constructed as white slabs, but there are also very old yet ornate and rainbow/pastel-colored temples out there (eg. Ranganathaswamy Temple.

    Idk I guess my thesis is that it is a continuous and living tradition, so the sublime is not thought of as this inhuman, unattainable looming object in the background used as a tool to indicate the power of men over nature and civilizations.

    Like I see the Western motif in this way: a larger-than-life Great Man going around conquering lands, with scenes of him looking up at the colossal ancient wonders, showing he too is a collosus: Alexander, Napoleon, Paul Atreides, etc. Whereas in Hindu tradition, the tirtha-yatra or conquest by a cakravartin world-conqueror is more about touring the world and paying homage to each holy site and culture, looking up at these intricate temples and recognizing there is a deeper unseen world they are part of. Sometimes the final step in a cakravartin’s world conquest is to give away his global empire. Hence the image of ancient Hindu kings parading, just throwing gold and gems into the stretets.

    Sorry for the essay, if anyone has any more info on this topic, I’d love to follow up. It’s very interesting to me to connect film and historical perceptions!




  • muddi [he/him]@hexbear.nettomemes@hexbear.netGET TO WORK
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    2 years ago

    Unironically this illustrates my feelings against the “cosmic wonder” type of thing that you hear from science documentary hosts like Sagan and Tyson…“we’re star stuff” cool but most of us are laboring to survive and have no time to appreciate that fact.

    Even then it’s not particularly significant that that eg. a star died to produce the atoms in our body, there are sextillions of them out there. It’s like being shocked about rolling dice and getting a 2 specifically.


  • I’ll check it out! Thanks for the rec

    And about the Indian stories, I think you’ll find a rhythmic pattern. Maybe the translations can ruin it, I can’t confirm or deny this.

    I think you’re right, I’m probably missing out on certain contexts and linguistic play reading the English translations. It adds to the melancholy in a way though, knowing there’s more beneath the surface of the words I can only barely grasp