I wish list stuff until a Bandcamp Friday comes around where artists get all the money. I’ve stopped buying physical media, so waiting on a digital purchase isn’t an issue for me.
For now, they still provide DRM free downloads in FLAC. And they still pay the artists on the Fridays. I’ll continue using it till they inevitably fuck it up.
My concert ticket stack is thicc though, and I have SOOOOO MANY hoodies, t-shirts, cups, and random bullshit. I’m not paying for DRM, but you can’t DRM a comfy zip-up!
Absolutely. Even if you pirate from some, and buy whole albums from a few when you can afford it, you’re supporting artists instead of the shareholders of tech goon overlords.
Am I the only one who finds it super annoying, that “detection through sound waves” (Sonar) does video things while “detection through light” (lidar) does the sound things?
Yeah most people don’t care to maintain a local music library. It’s a lot of work and compared to streaming services that do it for you this offers no real benefit. If you listen to lots of new/different music all the time, streaming is actually far cheaper.
“It is a lot of work”? I don’t know, for me it always seemed far more convenient than being locked to a single service, single player app and following restrictions.
iTunes was an unhappy medium. I liked how you can actually buy albums, but they gave the MP3s weird filenames to make it more difficult to move to another device. I did it anyway, but I had to find the right folder, figure out what track it was, and rename the track. I’m against it but it’s still better than streaming.
You can still buy songs on iTunes and load them to an iPod, MP3 player, or in my case to my Navidrome instance for my own personal self-hosted streaming.
Everybody buy your music. These streaming platforms are trash.
Yes, yes buy. Do not sail the high seas.
I want the bands to get some money. I buy from bandcamp when musicians are sensible enough to sell on there, or on their sites.
I wish list stuff until a Bandcamp Friday comes around where artists get all the money. I’ve stopped buying physical media, so waiting on a digital purchase isn’t an issue for me.
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The site is still the same, you still get your music to download, the band still gets most of the money. 100% still a point in using them.
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For now, they still provide DRM free downloads in FLAC. And they still pay the artists on the Fridays. I’ll continue using it till they inevitably fuck it up.
I’ve almost never paid a cent for music.
My concert ticket stack is thicc though, and I have SOOOOO MANY hoodies, t-shirts, cups, and random bullshit. I’m not paying for DRM, but you can’t DRM a comfy zip-up!
Don’t give them any ideas
Or pirate the music, then send some money in an envelope to the artists themselves.
Or pirate the music, then go to a concert or buy some merch.
Absolutely. Even if you pirate from some, and buy whole albums from a few when you can afford it, you’re supporting artists instead of the shareholders of tech goon overlords.
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What.cd
I’m so glad nothing has replaced what.cd yet…
If there was though, what do you think it would be called? I would like to avoid it at all costs and continue to buy subscriptions
I’m afraid that that information has had to be [redacted]. Choose another path.
Lidarr is pretty keen if you already have sonarr and radar running.
Am I the only one who finds it super annoying, that “detection through sound waves” (Sonar) does video things while “detection through light” (lidar) does the sound things?
WHY?! Swap names already! It’s driving me nuts!
I find the choice of name for Readarr more annoying, since we already had Radarr
Why use a private tracker when soulseek allegedly exists? There are also Telegram bots that can allegedly download FLACs from Deezer
Private trackers are dope for very fast flac album downloads.
SLSK is godly for rare stuff.
No need for Telegram bots. There are both proprietary and open source apps that you can use to do this yourself. Check out https://rentry.org/firehawk52 and https://ripped.guide/Audio/Music/
RIP what… was there for a decade. It was godly. Your other reply knows what’s up. So does the god Orpheus, he knows some heady chunes
Oink. Waffles.
Wait……
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There are three morbillion songs and I have no idea which ones I like. Streaming platforms became popular for a reason
Yeah most people don’t care to maintain a local music library. It’s a lot of work and compared to streaming services that do it for you this offers no real benefit. If you listen to lots of new/different music all the time, streaming is actually far cheaper.
It’s cheaper because the band doesn’t get paid as much. The streaming service keeps most of the meager pay.
People make up for it by buying merch or going to shows. Margins on those things are much better for the artists.
In every service I know of, the platform takes a minority of revenue
“It is a lot of work”? I don’t know, for me it always seemed far more convenient than being locked to a single service, single player app and following restrictions.
Yeah this is fucking peak internet snobbery. “Just spend thousands dollars on music” ok.
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I just realised iTunes (store) is no longer a thing. Everything’s just streaming now.
Time to bust out the walkman
iTunes was an unhappy medium. I liked how you can actually buy albums, but they gave the MP3s weird filenames to make it more difficult to move to another device. I did it anyway, but I had to find the right folder, figure out what track it was, and rename the track. I’m against it but it’s still better than streaming.
You can still buy songs on iTunes and load them to an iPod, MP3 player, or in my case to my Navidrome instance for my own personal self-hosted streaming.
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I recently encountered a song I could only stream but not buy anywhere without DRM. Kinda wild because it has over 5 million YouTube views.
If anyone knows how the buy Slow Song by The Knocks, lmk.
YT + Music is worth its weight in gold.
Everybody
buypirate your music. These streaming platforms are trash.Also this. But I want the bands to get paid.
Ok that’s reasonable